Major historical events often have to wait for years to receive serious treatment in historical film, especially in the case of controversial episodes that produce sharply opposing narratives of those events.
For the first time, the bombing in Piazza Fontana in 1969 is the subject of a major feature film, Romanzo di una Strage. A large bomb exploded in a bank in Piazza Fontana in Milano on 12 December 1969, killing 17 people and wounding 88. The bombing shocked Italians and produced outrage across the country, a crucial moment in the so-called strategia di tensione campaigns of right-wing and left-wing radicalism and violence in Italy in the late 1960s.
Piazza Fontana launched a period of intensified political and social conflict, known as the Anni di Piombo (Years of Lead) throughout the 1970s.
Romanzo di una Strage (2012) is directed by Marco Tullio Giordana. The film focuses on the competing investigations, political murders, and cover-ups in the immediate aftermath of the Piazza Fontana bombing in 1969-1972. Giordana controversially places a sympathetic portrait of police commissioner Luigi Calabresi at the center of his political thriller. The Piazza Fontana case still remains unsolved today, despite several investigations, trials, and overturned convictions. The film posits its own theories on various threads of the complicated story, but hesitates to present its own definitive verdict on the case and the cover-up.
Marco Tullio Giordana explains his perspective in an interview published by Nouvel Observateur. Giordana actually witnessed the Piazza Fontana bombing from a passing tram and was interviewed by Luigi Calabresi as an eyewitness. It seems that Giordana’s personal experience strongly shaped the narrative structure and cinematography of the film.
The film’s interpretation of the Piazza Fontana bombing and its protagonists has provoked much interest and also sharp criticism. Republica TV published a video review of the film in Italian. Nouvel Observateur, Marianne, Libération, and Le Figaro provide reviews in French. For the reactions of Luigi Calabresi’s son, Mario, see a story in Corriere della Sera.
For context on the Piazza Fontana bombing and film representations of political violence in Italy during the Anni di Piombo, see: Alan O’Leary’s Tragedia all’italiana: Italian Cinema and Italian Terrorisms 1970-2010 (Oxford: Peter Lang, 2011), Alan O’Leary and Pierpaolo Antonello’s Imagining Terrorism: The Rhetoric and Representation of Political Violence in Italy, 1969-2006 (London: Legenda, 2009), and Paul Ginsborg’s A History of Contemporary Italy: Society and Politics, 1943-1988 (Palgrave Macmillan, 2003).
Romanzo di una Strage is released internationally as Piazza Fontana: The Italian Conspiracy.
[Note that this article is cross-posted from my blog.]